![]() “In order to take steps up in certain kinds of mediums, I have to become this kind of dark and gritty character. ![]() “When I’m auditioning, I’m constantly aware of what kind of roles are put in front of me, and I just noticed a lot of stuff comes up where it’s like, okay this guy is a gangster, this guy is a thug and after a while you start to go ‘oh, my God, what is out there? Is there any kind of positive representation on TV for us?’” Hayes said. Hayes, who is known for his work on Sesame Street, described how acting roles would often limit him to certain types of characters, while puppetry allowed him to push against that. ![]() The latter half of the hour long discussion regarding the differences the artists had noticed between the face forward acting world and the puppetry world. So my goal as a puppet artist teaching artists is to bring the STEAM disciplines to kids through the art of puppetry,” “Because, if someone had showed me you could use this program to make your dolls move when I was a kid, I would have paid more attention to those math classes. “What I saw in that experience was I can inspire kids who would never think of themselves as robot scientists to be interested in puppets,” Richards said. Richards continued on to talk about how her experience at Tech and playing with different software has led her to integrate technology and artistry into her teaching. I’m also hanging out with the Decatur Makers with people that play with Arduino and I’m like ‘oh, that’s how they made this movie.’ So from there I started making my own animatronic puppets.” “So I was reading all of this cutting edge research from every scientific discipline at the university, and as a volunteer at the Center for Puppetry Arts, I was working in the Hansen gallery next to all these cool robotic puppets and it started to click that this is what my students were doing. “ I taught a class where I guided students through their undergraduate thesis,” Richards said. Joe action figures, spoke on the technical side of puppetry. Richards, a puppeteer and former Tech professor who got her start making stop motion art with Barbie dolls and G.I. When I built that first puppet a friend of mine gave me the movie ‘Being John Malkovich’ and I popped it into my VCR and watched that opening scene and I said ‘this is something I want to do.’” “I was doing these abstract sculptures and that led me to building my first puppet and putting clothes on it and moving it around,” Pipkins said.” So I tripped and fell into puppetry. Pipkins, also known by his artist name Jeghetto, referenced his love of horror and science fiction films such as “Gremlins” and “Predator” as his introduction to puppetry. With that context in mind, the conversation shifted towards the panels’ journey to becoming puppeteers and actors, with many citing the ways pop culture led them to appreciating the art of puppetry. The area of Egypt is believed to be where puppets originated from.” I believe it was as early as 1829 was the first documented puppetry and we know there was probably puppetry long before that because puppetry was huge, and storytelling was a big part of the oral tradition of Africa. “Many people may not know that there was puppetry in Africa long before the European colonization,” Harrison said. The discussion kicked off with Harrison framing the conversation with the long tradition of African puppetry. Renee Clark, Chris Thomas Hayes, Tarish Pipkins, Spencer Stephens and Paulette Richards. The all-star panel, hosted by Brian Harrison of the Center for Puppetry Arts, featured S. ![]() While Henson has traditionally served as the face of modern puppetry arts, Atlanta’s Center for Puppetry Arts shone the spotlight on the history of Black and African puppetry during a conversation with notable Black theater artists on Feb. For many, the world of puppetry arts has become synonymous with Jim Henson, the puppeteer responsible for creating and voicing Kermit the Frog. ![]()
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